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To browse Academia. It brings together radical proposals in both archaeological and performance theory to generate a startlingly original and intriguing methodological framework. It facilitates a new way of investigating landscape and cityscape, and notions of physicality, encounter, site and context. Media Archaeology and Intermedial Performance, Published in I.
Russell and A. Cochrane eds. Art and Archaeology: Collaborations, Conversations, Criticisms, pp. Prabir De, pp. European Journal of Medical and Health Sciences, Log in with Facebook Log in with Google.
Remember me on this computer. Enter the email address you signed up with and we'll email you a reset link. Need an account? Click here to sign up. How and why can the documentation of contemporary performance be related to ancient performative practices, such as Greek warfare? The book takes scholarly innovation to new levels. It is the result of a long-term, unique collaboration between a renowned archaeological theorist and a leading theatre artist.
For thirty years he has pioneered innovative approaches in the practice, theory, pedagogy and documentation of performance. From to he was an artistic director of the theatre company Brith Gof. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Includes bibliographical references and index. Theatre and society. Social archaeology. Historical reenactments. Shanks, Michael. Photo: Jens Koch E. Photo: Michael Shanks O. Photo: Nia Percy R. Photo: Jens Koch Pages 34β5 B. Photo: Pete Telfer M. Photo: Pete Telfer E. Photo: Michael Shanks A.