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The show runs through 1 September. Since the birth of photography, it has remained in a loving embrace with its older kissing cousin, painting. They serve each other, inspire each other, and swap roles. The exhibition Constellations tries to break this taboo. This is usually caused by too abrupt an ascent from the depths or too violent a descent from the heaves into the atmosphere.
In pop culture, especially in cinema, such faces of men usually accompany some heroic deed […]. In his work, Oskar Dawicki toys with extreme emotions. The artist directs an encounter between wild animals and the tool of their potential annihilation.
Summer ticks by slowly at the gallery. The sun circles the garden and the display room in a wide arc, lazily flicking its long tongue. The series of photographs prompts a reflection on the role and position of traditional masculinity. To be a man is today — as the work visually argues — a challenging task, and a condition subject to extreme pressure. In the third Warsaw edition of the Friend of a Friend project, Galeria Raster, along with The Breeder from Athens and Sophie Tappeiner from Vienna, is presenting an exhibition confronting the nature of pain and discomfort.
This is the story of the intimate ties between contemporary art and vodka. Conceived as a medley of artworks and documentary content, the exhibition features Krzysztof M.
Oskar Dawicki, a literary and film figure, an artist known as a practitioner of total performance, presents this time a dystopian narrative: a kind of script, or more precisely a reconstruction, of a performance originally directed in a dream. The central figure in his vision is a pregnant woman, the heroine of our times, nourisher of the unborn but also caretaker of the dead. As befits a doubting artist, the world of his creation is full of ambivalence.