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It is because the symptom is a source of complaint that one speaks about it in psychoanalysis, to get rid of it. We would rather keep to ourselves this intimate and painless satisfaction. But the fantasy is not deciphered, even though one may speak of the symptoms that are built on it.
What to do then? We will study, based on clinical and literary examples, how Lacan reversed the Freudian problematic by theorizing psychoanalysis as a staging of fantasy. One possible outcome of the cure could therefore see the fantasy losing its substance, and the symptom reducing itself around what remains of it. Because the symptom is a source of complaint, we speak about it in psychoanalysis, to get rid of it.
To the contrary, fantasy is so enjoyable that there is no incentive to speak of it, as Freud had noticed. Yet, without addressing the fantasy, there is no hope for symptoms to give in, even though they appear to be altering.
However, the fantasy cannot be deciphered, even as the symptoms it is built on are spoken of. What can be done then? With the use of clinical and literary examples, we will assess how Lacan theorized psychoanalysis as a staging of the fantasy, hence reversing the Freudian perspective.
A short story by Richard Yates best displays the question of fantasy in psychoanalysisβYates is an author well known for Revolutionary Road , his best seller. This short story demonstrates how one can eternally fall into the trap of a game, transformed into a fundamental fantasy, even though one is perfectly aware of itβthis constitutes the distinctive point of this story, of particular interest for us in psychoanalysis.