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Neon releases the film in theaters on Friday, February 4. Julie Renate Reinsve is a smart Norwegian med school student in her late 20s who looks as much like Dakota Johnson as Dakota Johnson ever has. She has the world at her feet, and the rat-a-tat narration can hardly keep up with her roiling sense of youthful possibility.
Realizing that her passion is for the mind instead of the body, Julie ditches medicine for psychology and dumps her blindsided doctor boyfriend prognosis negative. New trysts. A different scene. It probably starred Greta Gerwig. The first thing she does is shack up with Aksel Trier mainstay Anders Danielsen Lie , a year-old cartoonist whose underground success frees her to work in a bookstore while she waits for inspiration to strike.
Initially it seems as if something productive might come from that panic. Trier is seemingly reluctant to limit this movie as a product of its time, and his only clear insight into the existential crises of the 21st century is that people live a lot longer than they used to, which ups the stakes for the irreversible decisions they have to make along the way a second chapter devoted to social media outrage only further underscores that shortsightedness.
One such night begins with Julie walking home alone and spontaneously waltzing into a random party, where she partakes in a drawn-out meet-cute with a goofy barista named Eivind Herbert Nordrum. How intimate can they get without cheating? This is the ever-relatable fantasy at the heart of this movie: Choice without consequence.
