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She was tormented by the gap between what she wanted to look like and her modest and underwhelming reality. In these three spare, plainspoken vignettes, the lives of two women intertwine: Anissa, the child of two Moroccan immigrants in the Argenteuil banlieue, and Nora, a Maghrebi businesswoman in Clichy.
What follows is a forceful examination of racism and economic inequality in modern Franceβand a challenging reminder that none of us is as free as we would like to believe. The day they moved in, Karim kept this view until last, as a surprise for his wife Yamina.
They had both been amazed that such luxury could penetrate this isolated spot. It made you wonder if the town planners and architects of these housing estates were trying to maximise the contrast between here and there, or if they wanted to soften the dreary dereliction of this Argenteuil ghetto. Perhaps they imagined the residents gazing into the distance and forgetting the reality at their feet: the broken lifts, the lobbies smelling of urine.
Locked away in her room, she was trying to take a photo of herself on her phone. Expression wise, she made sure not to smile and kept her mouth slightly open to hold her delicate features in place.
All those hours spent scrolling social media, day after day, meant she followed the rules without even realising it. Without filters, without tricks, her body and her face were ordinary; her imperfections, her asymmetries were there for everyone to see. None of it looked like the calibrated social media ideal, like the apparitions, the fantasies.