Part of a project that began by examining the role of the recorded voice and the established access to authority of the cinematic voice-over in Alan J. They were directed primarily towards U. Congress House of Representatives for their effect in undermining confidence amongst soldiers on active duty.
This stage of the work examines the function and effect of remediation on the voice and explores the consequence of establishing the voice as a material position that is extra-linguistic to speech, in opposition to the ideality of meaning. This ideality is, paradoxically, the very thing that Fonda desires in the context of her political objectives. What meaning can therefore be exacted from the remediated and objectified voice in this context, can it still be a political voice?
Analogue processes have been exerted upon the audio in an attempt to return the voice to the material condition of a remediating technology in contrast to the virtuality of digital video.
Here the avatar in this matrix is the Nagra SN tape recorder; a recording device commissioned by JFK for use by the US intelligence services and the same model that appears in the film Klute.
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