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We met first in his room. I no longer remember how often each week - but regularly. And that is what we did. We soon started just to talk rather than to read Shakespeare. It was purely social. Always in English. He was very scrupulous about that. He would ask me what I was reading β¦ and we spoke about literature, mostly modern French literature and theatre and cinema.
It was a conversation, nothing academic about it at all. Later on, when I was in Dublin as the lecteur, he used to speak to me in French. As soon as I got some money then, I went out and bought myself an expensive gramophone and tried to persuade Beckett that he would come to love Wagner. So I forced him to listen to it. I had just got married and this was the time when McGree-vy [MacGreevy] arranged for the meeting with Joyce.
Beckett arrived in the following autumn term. I was then again in Cambridge, coming to Paris for the periods when the Cambridge term was over or not started, and the Sorbonne operated. Emile Delavenay before his wedding, Stratfield Saye, So was McGreevy and we used to go after eleven in the morning and he had his breakfast then β¦ Our Sorbonne professors were there for the hard, methodical work on the history of literature, and the comradeship of people like Tom McGreevy and Beckett introduced into our studies something vividly different.
He was brusque and he always gave me the impression of great purity of character. He was the same, the eyes, the blue eyes, the friendly look.
He looked you straight in the face. We all liked him. We talked a good deal about the old days and we talked about old friends. But my impression was very different from that of Jean Rolland. The graphic picture presented by the incident was for me quite secondary. As I was a Toulonnais and had played rugby far more than the other members of the team, I understood that Beckett was going to execute a manoeuvre which was performed by a famous scrum-half in the Toulon Rugby Club and which I later saw executed by Gareth Edwards.