To browse Academia. The Fifth Dimension is composed of thirty books, in fourteen volumes, aand about 1, images, as the result of a course on aesthetics and neuroaesthetics created and directed by Emanuel Dimas de Melo Pimenta in and It is a reflection, over nearly two hundred thousand years of history, about human metamorphoses, the mutations of iconography, on the history of ideas, on the permanent perceptual and cognitive transformation, especially in the last ten thousand years.
Disputatio philosofica: International Journal on Philosophy and Religion, Journal of Civil Engineering and Architecture, Log in with Facebook Log in with Google. Remember me on this computer. Enter the email address you signed up with and we'll email you a reset link. Need an account? Click here to sign up. Thus, all these images, including those developed by the author of this work, are copyrighted, when not in the public domain.
All the images have reference source and the name of the author, when it is the case of it. All Rights Reserved. No, text, picture, image or part of this publication may be used for commercial purposes or related to any commercial use, by any means, electronic or mechanical, including photocopy, any kind of print, recording or any other information storage and retrieval system, without prior permission in writing from the author.
In case of permitted use, the name of the author and photographer must be always included. They are thirty books in fourteen volumes. At the end of each volume, there is a text common to all, with a brief explanation about all volumes. Each volume is a different field in this formidable universe that is the Fifth Dimension. Oil on canvas mounted on wood. Uffizi, Florence. Marco Polo When he entered into his room at night, he felt a soft sorrow; the music, the lights, the presence of the ladies, excited his nerves; the rolling of the trains, the lighted windows of the restaurant Silva, gave him ideas of suppers, of nocturnal rendezvous, and he was disconsolate of his sterile life, desiring noble loves and audible orgies.
We find texts about massages, perfumes or about gastronomy, but almost never about their stories, or about their theories, as usually happens to painting, sculpture, photography, cinema, music, and even to communication in general terms.
