First-time filmmaker Rachael Abigail Holder proves her knowledge and affection for a changing corner of New York, reflected in the superb performances of its central trio. By Murtada Elfadl. First-time filmmakers, director Rachael Abigail Holder and screenwriter Paul Zimmerman weave a low-key romantic odyssey that simmers with intimate heat while acting as a loving character study of the beloved, always evolving neighborhood.
Casey Beharie and Roger Holland used to be an item but are now just friends. Or are they? They seem to still carry a torch for each other and treasure the time they spend together.
These characters are also defined as professionals who cannot lead these lives anywhere else but Brooklyn. Holder frames the actors with gentle sensitivity, capturing tiny flickers of emotion as they grapple with these issues. Popular on Variety. Above all, the film acknowledges what Brooklyn means to its people, reflecting a specific culture and rhythm of life.
The filmmakers understand the type of people who live there: how they talk, what they do and where they work. They even poke fun at the differences between its denizens and those who populate its sister island Manhattan and west-coast cousin, Los Angeles — a dichotomy of cool and relaxed versus slightly uptight and pretentious. Holder peppers the frame with visually dynamic work by local artists and the soundtrack with songs from local musicians, adding to the credibility of this portrayal.
When small crises and regrets happen because of dumb words said at the wrong time. When alcohol brings up emotions and truths that should have been kept hidden. Feelings are hurt, relationships are reassessed and the day ends with both genuine revelations and heavy laments. Holland has palpable chemistry with Beharie.
